"It's something of an axiom that good novels make bad movies. But one of my favorite exceptions is In a Lonely Place....the novel is more groundbreaking than the film and that Hughes, who died in 1993, belongs in the crime-writing pantheon with male icons like Dashiell Hammett and Raymond Chandler....In a Lonely Place is a gripping story, but Hughes was too talented, ambitious, and grounded to play it merely for suspense....as Megan Abbott points out in her splendidly perceptive afterword, Hughes takes the gender cliches of noir and turns them on their head." --John Powers, NPR "In a Lonely Place blasted my mind open to new ways of reading." --Sarah Weinman, Los Angeles Review of Books "Crime was never Hughes's interest, evil was, and to be evil, for her, is to be intolerant of others...With her poetic powers of description, she makes that evil a sickness in the mind and a landscape to be surveyed." --Christine Smallwood, The New Yorker's Page-Turner Blog "A tour de force laying open the mind and motives of a killer with extraordinary empathy. The structure is flawless, and the scenes of postwar LA have an immediacy that puts Chandler to shame. No wonder Hughes is the master we keep turning to." --Sara Paretsky "If you wake up in the middle of the night screaming with terror, don't say we didn't warn you." --The New York Times Book Review"Bringing ...[Dorothy B. Hughes] back is no act of nostalgia. It is a gateway through which we might access her particular view of that road between our glittering versions of American life and the darker reality that waits at the end of the ride." --Walter Mosley "This lady is the queen of noir, and In a Lonely Place is her crown."--Laurie R. King, author of the Mary Russell novels "A superb novel by one of crime fiction's finest writers of psychological suspense. What a pleasure it is to see this tale in print once again!"--Marcia Muller, author of the Sharon McCone novels "Lock your doors and windows before you start reading Dorothy B. Hughes superbly written In a Lonely Place, then prepare to lose some sleep. This spine-tingling classics rings chillingly true." --Jan Burke, author of the Irene Kelly series "Dorothy B. Hughes was such a mistress of dark suspense that I always had to read the end of her books first to keep from biting off all my fingernails." --Margaret Maron, author of Three-Day Town "In my rookie days Dorothy B. Hughes was the writer I most wanted to emulate. To me she had the sense of place and the narrative drive of Eric Ambler-tautened by a woman's edginess. To me she still imparts that delightful quiver." --Dorothy Salisbury Davis, author of In the Still of the Night "Dorothy B. Hughes was in a class of her own. To be a female writer of hard-boiled fiction back in the 1940s was unusual enough, but to write a first-person narrative form the viewpoint of a male serial killer was breaking new ground by anybody's standards." --Max Deecharne author of Hardboiled Hollywood: The Origins of Great Crime Films "In Hughes's novel, however, there is not a drop of romanticism, not a touch of fantasy. It is a dark, cold gem of a book, a gem without a flicker of heat or light. One that cuts to the touch." --Megan Abbott, author of Dare Me and The Fever "Hughes was a wonderful writer. There is nothing overdone with her dialog and descriptions. Dix moving through the night, stalking his victims, is suspenseful and chilling but written quietly and creating an atmosphere that makes the reader feel the night and fog about them as they read." --Mack Captures Crime blog "Dorothy B. Hughes writes literary hardboiled noir taking on and matching Chandler, Hammett, Cain and Thompson at their game." --Rob Kitchlin, author of The White Gallows "In a Lonely Place blasted my mind open to new ways of reading." --Sarah Weinman, Los Angeles Review of Books "Crime was never Hughes's interest, evil was, and to be evil, for her, is to be intolerant of others...With her poetic powers of description, she makes that evil a sickness in the mind and a landscape to be surveyed." --Christine Smallwood, The New Yorker's Page-Turner Blog "A tour de force laying open the mind and motives of a killer with extraordinary empathy. The structure is flawless, and the scenes of postwar LA have an immediacy that puts Chandler to shame. No wonder Hughes is the master we keep turning to." --Sara Paretsky "If you wake up in the middle of the night screaming with terror, don't say we didn't warn you." --The New York Times Book Review"Bringing ...[Dorothy B. Hughes] back is no act of nostalgia. It is a gateway through which we might access her particular view of that road between our glittering versions of American life and the darker reality that waits at the end of the ride." --Walter Mosley "This lady is the queen of noir, and In a Lonely Place is her crown."--Laurie R. King, author of the Mary Russell novels "A superb novel by one of crime fiction's finest writers of psychological suspense. What a pleasure it is to see this tale in print once again!"--Marcia Muller, author of the Sharon McCone novels "Lock your doors and windows before you start reading Dorothy B. Hughes superbly written In a Lonely Place, then prepare to lose some sleep. This spine-tingling classics rings chillingly true." --Jan Burke, author of the Irene Kelly series "Dorothy B. Hughes was such a mistress of dark suspense that I always had to read the end of her books first to keep from biting off all my fingernails." --Margaret Maron, author of Three-Day Town "In my rookie days Dorothy B. Hughes was the writer I most wanted to emulate. To me she had the sense of place and the narrative drive of Eric Ambler-tautened by a woman's edginess. To me she still imparts that delightful quiver." --Dorothy Salisbury Davis, author of In the Still of the Night "Dorothy B. Hughes was in a class of her own. To be a female writer of hard-boiled fiction back in the 1940s was unusual enough, but to write a first-person narrative form the viewpoint of a male serial killer was breaking new ground by anybody's standards." --Max Deecharne author of Hardboiled Hollywood: The Origins of Great Crime Films "In Hughes's novel, however, there is not a drop of romanticism, not a touch of fantasy. It is a dark, cold gem of a book, a gem without a flicker of heat or light. One that cuts to the touch." --Megan Abbott, author of Dare Me and The Fever "Hughes was a wonderful writer. There is nothing overdone with her dialog and descriptions. Dix moving through the night, stalking his victims, is suspenseful and chilling but written quietly and creating an atmosphere that makes the reader feel the night and fog about them as they read." --Mack Captures Crime blog "Dorothy B. Hughes writes literary hardboiled noir taking on and matching Chandler, Hammett, Cain and Thompson at their game." --Rob Kitchlin, author of The White Gallows "If you wake up in the middle of the night screaming with terror, don't say we didn't warn you."--The New York Times Book Review "Dorothy B. Hughes...is my favorite crime writer. Full stop.... In a Lonely Place...blasted my mind open."--Sarah Weinman, Los Angeles Review of Books "[Dorothy B. Hughes] was extraordinary.... Crime was never Hughes's interest, evil was, and to be evil, for her, is to be intolerant of others, of the very fact of the existence of something outside the self. With her poetic powers of description, she makes that evil a sickness in the mind and a landscape to be surveyed."--Christine Smallwood, The New Yorker "Bringing ...[Dorothy B. Hughes] back is no act of nostalgia. It is a gateway through which we might access her particular view of that road between our glittering versions of American life and the darker reality that waits at the end of the ride." --Walter Mosley "This lady is the queen of noir, and In a Lonely Place is her crown."--Laurie R. King, author of the Mary Russell novels "A tour de force laying open the mind and motives of a killer with extraordinary empathy. The structure is flawless, and the scenes of postwar LA have an immediacy that puts Chandler to shame. No wonder Hughes is the master we keep turning to."--Sara Paretsky, author of the V. I. Warshawski novels "A superb novel by one of crime fiction's finest writers of psychological suspense. What a pleasure it is to see this tale in print once again!"--Marcia Muller, author of the Sharon McCone novels "Lock your doors and windows before you start reading Dorothy B. Hughes superbly written In a Lonely Place, then prepare to lose some sleep. This spine-tingling classics rings chillingly true." --Jan Burke, author of the Irene Kelly series "Dorothy B. Hughes was such a mistress of dark suspense that I always had to read the end of her books first to keep from biting off all my fingernails." --Margaret Maron, author of Three-Day Town "In my rookie days Dorothy B. Hughes was the writer I most wanted to emulate. To me she had the sense of place and the narrative drive of Eric Ambler-tautened by a woman's edginess. To me she still imparts that delightful quiver." --Dorothy Salisbury Davis, author of In the Still of the Night "Dorothy B. Hughes was in a class of her own. To be a female writer of hard-boiled fiction back in the 1940s was unusual enough, but to write a first-person narrative form the viewpoint of a male serial killer was breaking new ground by anybody's standards." --Max Deecharne author of Hardboiled Hollywood: The Origins of Great Crime Films "In Hughes's novel, however, there is not a drop of romanticism, not a touch of fantasy. It is a dark, cold gem of a book, a gem without a flicker of heat or light. One that cuts to the touch." --Megan Abbott, author of Dare Me and The Fever "Hughes was a wonderful writer. There is nothing overdone with her dialog and descriptions. Dix moving through the night, stalking his victims, is suspenseful and chilling but written quietly and creating an atmosphere that makes the reader feel the night and fog about them as they read." --Mack Captures Crime blog "Dorothy B. Hughes writes literary hardboiled noir taking on and matching Chandler, Hammett, Cain and Thompson at their game." --Rob Kitchlin, author of The White Gallows

Dorothy B. Hughes (1904-1993) was an American mystery writer and critic. She wrote fourteen novels, including The So Blue Marble, The Case of the Real Perry Mason, The Cross-Eyed Bear, Ride the Pink Horse, and The Expendable Man (NYRB Classics). Megan Abbott is the Edgar award-winning author of eight novels, including The Fever and You Will Know Me. Her writing has appeared in The New York Times, the Guardian and the Wall Street Journal and in anthologies including The Best American Mystery Stories. She is also the author of The Street Was Mine, a study of hardboiled fiction, and film noir, and editor of A Hell of a Woman, a female crime fiction anthology. She received her Ph.D. in literature from New York University.